![]() This will allow you to create bigger strokes for your moon rings. If needed, switch to a #12 bright brush and use that to create dry brush strokes. Continue to paint circular dry brush strokes around the moon. Then paint dry brush strokes around the moon. Load your brush in titanium white and then wipe it off so only a small amount of paint is on the brush. Then “dry brush” moon beams around the moon. Paint a small circle in the upper left part of the canvas. Use your #4 round brush and titanium white to paint a moon. Paint this second level of mountain range in front of the previous mountain range. Then mix a slightly darker shade of that gray by adding a small amount of blue gray into it. Paint them in solid using the 3/4″ flat wash brush. The peaks of these mountains are not very high and go about 1″ at their highest peak. Paint this light colored mountain range across this horizon line. Mix a light gray by mixing about 4 parts white to 1 part blue gray. Note: Your horizon line is the line that divides the sky and land. Use your 3/4 flat wash brush to paint two levels of mountain ranges above your “horizon line”. Your ground snow area will be dark on the bottom and light on the top. Add more white to your brush as you work your way up. Then blend titanium white into that dark gray color.Ĭontinue to paint in long, wavy strokes blending your gray with the white. This will be the shadowy part of the snow. Use your 3/4″ flat wash brush to paint a hill area on the bottom. Mix about 3 parts white to 1 part black to make a medium to dark gray. The colors mars black and titanium white are to be used for the snow. Continue to add more white until you get to this point. This is how far you will be going down with the sky. Measure about 4″ from the bottom of the canvas. Continue to paint this in left and right, full width strokes. Then paint this white down the canvas so your sky gets lighter as you work your way down. Gently blend the white up into the blue gray. Then, without rinsing your brush, load it into titanium white. Go down about 3-4 inches with this medium blue gray color. ![]() Start on the top of the canvas and paint left and right strokes. Use a 3/4″ flat wash brush and mix a small amount of black into the blue gray so that it becomes 1-2 shades darker. Load your palette with the colors: blue gray, mars black and titanium white. You will be painting this gradient with left and right strokes and going down 10″ (leaving 4″ of space on the bottom). This sky is a blended sky that is darker on the top and lighter on the bottom. What time of day will you choose? Below are some rural scene illustrations to get you inspired!Step By Step Instructions 1. If it’s night, you’ll see the glow of electric lights through the windows. In the morning or afternoon, buildings and objects will cast long shadows on the ground. The time of day you choose will significantly impact how you choose to draw and render your scene, especially in an urban environment. You could draw a city from the future or a place with an old-word vibe.įor this final week, I’d like you to consider two things for your urban scene: Season and Time of Day Seasonĭecide now what season it will be in your scene: winter, spring, summer, or fall? Choosing a season will give your scene a special mood and feeling and help you think of extra details you can include. Your scene could be inspired by a country or famous city. IDEAS: You could draw some storefronts, a street corner, or a cityscape. It’s our final week of Scene School…are you ready for some city life? This week we’ll be drawing an urban scene. Highlights & Shadows: Finish your piece by adding additional cast shadows created by your light source as well as highlights. Texture & Detail: add linework and detail to depict texture and fine detailsĭ. Be sure to consider your light source as you add shading!Ĭ. Basic Shading: Apply basic shading to the elements of your scene to give them form and volume. TIP: IF you are unsure about what colors to use, it can help to scribble in colors on a temporary layer to get your color palette figured out.ī. Color: Start by coloring in everything in the composition in flat colors. This is the stage when you’ll draw everything as you want it to look in the final art. Trace over all the components of your scene, this time drawing shapes and details that you’ll use in your final piece. In Procreate, reduce the opacity of your initial sketch, then create a new layer. ![]() Start with the largest parts first and work your way to the smaller elements of your scene. Use basic shapes, like ovals, rectangles, cubes, etc., and leave out the details. In this step you are determining the placement and scale of the different components in your scene. Step 1a: Layout components as basic shapesĬreate a rough sketch of your scene’s layout.
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